The word “settler” appeared 1 times in this article's opening at its peak in 2015. Today the opening carries none, and neither does the rest of the article, references included.
Measured, not asserted. Every count, date and revision on this page was taken from Wikipedia's own history and checked against the live article. The words quoted are theirs.
Machine-checked against the full current article on 2026-08-02. “settler” appeared 1 times in this article's opening at its peak. Today it appears nowhere in the article, references included.
We saved snapshots of this article over twenty years; you are reading the 2015 one. Red dashes: removed from Wikipedia since.Pale dots: rewritten; the numbered note shows what it says now.Red text: written in or rewritten since the previous snapshot.1 tap a number or a side note to jump between them
The opening as it read in 2015
Elizabeth Polack was an English playwright of the 1830s, notable for having been described by chroniclers of the period as England's first Jewish woman melodramatist .1Few historical records survive which detail Elizabeth Polack's life. Although neither the year nor place of her birth have been noted, documentation of her activity as a playwright active in London between 1830 and 1838 remains for posterity. Contemporary records credit her with five plays, only two of which, Esther, the Royal Jewess; or The Death of Haman and St. Clair of the Isles; or The Outlaw of Barra , have survived. Esther , with a story taken from the Old Testament , and considered in its time to be a type of an "Exotic East" melodrama, was successfully produced in 1835 at London's Mile End Pavilion Theatre in the East End (the Pavilion was later a centre for Yiddish theatre in London). 1838's St. Clair , based on an 1803 novel by Elizabeth Helme, met, however, with a very modest reception. Polack may have been a relation of Joel Samuel Polack , the first Jewish settler of New Zealand. Joel's biographer writes that he lived with his sister in Piccadilly when he first returned to England; that sister may have been Elizabeth. No other details have emerged regarding Elizabeth Polack, including the year, place and circumstances of her death. Sisters of Gore: seven Gothic melodramas by British women, 1790-1843 .2
This is Wikipedia's own text, saved in our repository. Their copy of it is revision 589838458.
The opening as it stood in 2010
Elizabeth Polack was an English playwright of the 1830s, notable for having been described by chroniclers of the period as England's first Jewish woman melodramatist . Few historical records survive which detail Elizabeth Polack's life. Although neither the year nor place of her birth have been noted, documentation of her activity as a playwright active in London between 1830 and 1838 remains for posterity. Contemporary records credit her with five plays, only two of which, Esther, the Royal Jewess; or The Death of Haman and St. Clair of the Isles; or The Outlaw of Barra , have survived. Esther , with a story taken from the Old Testament , and considered in its time to be a type of an "Exotic East" melodrama, was successfully produced in 1835 at London's Mile End Pavilion Theatre in the East End (the Pavilion was later a centre for Yiddish theatre in London). 1838's St. Clair , based on an 1803 novel by Elizabeth Helme, met, however, with a very modest reception. No other details have emerged regarding Elizabeth Polack, including the year, place and circumstances of her death.
Red text was written in or rewritten since the previous snapshot. Their copy is revision 369106837.
The opening as it stood in 2020
English playwright Elizabeth Polack was an English playwright of the 1830s, notable for having been described by chroniclers of the period as England's first Jewish woman melodramatist . Few historical records survive which detail Elizabeth Polack's life. Although neither the year nor place of her birth have been noted, documentation of her activity as a playwright active in London between 1830 and 1838 remains for posterity. Contemporary records credit her with five plays, only two of which, Esther, the Royal Jewess; or The Death of Haman and St. Clair of the Isles; or The Outlaw of Barra , have survived. Esther , with a story taken from the Old Testament , and considered in its time to be a type of an "Exotic East" melodrama, was successfully produced in 1835 at London's Mile End Pavilion Theatre in the East End (the Pavilion was later a centre for Yiddish theatre in London). Clair (1838), based on an 1803 novel by Elizabeth Helme, met, however, with a very modest reception. Polack's aunt, Maria Polack , was one of the first Jewish women writers in England. Polack may have been a relation of Joel Samuel Polack , the first Jewish settler of New Zealand. Joel's biographer writes that he lived with his sister in Piccadilly when he first returned to England; that sister may have been Elizabeth. No other details have emerged regarding Elizabeth Polack, including the year, place and circumstances of her death. The History of British Women's Writing, 1830–1880 . Sisters of Gore: seven Gothic melodramas by British women, 1790-1843 .
Red text was written in or rewritten since the previous snapshot. Their copy is revision 960002137.
The opening as it stood on October 6, 2023 12 passages from the previous snapshot no longer appear
English playwright Elizabeth Polack was an English playwright of the 1830s, notable for being the first Jewish woman melodramatist in England.
Red text was written in or rewritten since the previous snapshot. Their copy is revision 1140611095. This is our newest snapshot; the live article may have moved again since.
Today
“settler” appeared 1 times in this article's opening at its peak. Today it appears nowhere in the article, references included. Read the current article and compare.
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