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Alicia Ostriker

The word “terror” appeared 1 times in this article's opening at its peak in 2005. Today the opening carries none. 1 remains further down the article, where a reader arriving from a search result does not go.
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The opening as it read in 2005

Alicia Ostriker is an American poet and scholar born in 1937 , and is considered a prominent voice in Jewish feminist poetry . Ostriker was born in Brooklyn, New York , on November 11 , 1937 , to David Suskin and Beatrice Linnick Suskin.1 Her mother read her Shakespeare , and Alicia began writing poems at an early age. Ostriker holds a bachelor’s degree from Brandeis University ( 1959 ), and an M.A.2 ( 1961 ) and Ph.D.3 ( 1964 ) from the University of Wisconsin . Her doctoral dissertation, on the work of William Blake , became her first book, Vision and Verse in William Blake (1965). She began her teaching career at Rutgers University in 1965 and has served as a professor of English there since 1972 . In 1969 her first collection of poems, Songs , was published by Holt Rinehart and Winston . Her fourth book of poems, The Mother-Child Papers ( 1980 ), is considered a feminist classic. Ostriker began writing it upon the birth of her son during the Vietnam War ; throughout, she juxtaposes musings about motherhood with musings about war . Ostriker's books of nonfiction dovetail neatly with her poetry, exploring many of the same themes manifest in her verse. They include Writing Like A Woman ( 1983 ), which explores the poems of Sylvia Plath , Anne Sexton , H.D. , May Swenson , and Adrienne Rich , and The Nakedness of the Fathers: Biblical Visions and Revisions ( 1994 ), which approaches the Torah with a midrashic sensibility.4 Her books have won many awards, especially in recent years.5 Ostriker’s sixth collection of poems, The Imaginary Lover ( 1986 ), won the William Carlos Williams Award of the Poetry Society of America. The Crack in Everything ( 1996 ) was a National Book Award finalist, and won the Paterson Poetry Award and the San Francisco State Poetry Center Award. Ostriker’s most recent nonfiction book is Dancing at the Devil’s Party (2000), where she examines the work of poet from Walt Whitman to Maxine Kumin . Early in the introduction to the book, she disagrees with W.H. Auden ’s assertion that poetry makes nothing happen. Poetry, Ostriker writes, "can tear at the heart with its claws, make the neural nets shiver, flood us with hope, despair, longing, ecstasy, love, anger, terror [.]”6

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Today
“terror” appeared 1 times in this article's opening at its peak. Today the opening has none; the body has 1. Read the current article and compare.
2005201020152020Oct '232025
terror110000
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What Wikipedia says this is

Every article opens by defining its subject. This one was redefined between 2005 and 2025.

Then

american poet and scholar born in 1937

Now

american poet and scholar who writes jewish feminist poetry

Struck red text is no longer in the article; dotted amber text was rewritten. Every revision id links to Wikipedia's copy; the text shown is our own saved copy. Data: /data. Wikipedia text is CC BY-SA; quoted for the record; not affiliated with Wikipedia.

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