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Hanna Rovina

In 2005 Wikipedia's first sentence called it “recognised as the original "first lady of hebrew theatre"”. Today it says “israeli actress”.
Measured, not asserted. Every count, date and revision on this page was taken from Wikipedia's own history and checked against the live article. The words quoted are theirs.
Machine-checked against the full current article on 2026-08-02. In 2005 Wikipedia's first sentence called it “recognised as the original "first lady of hebrew theatre"”. Today it says “israeli actress”.
We saved snapshots of this article over twenty years; you are reading the 2005 one. Red dashes: removed from Wikipedia since. Pale dots: rewritten; the numbered note shows what it says now. 1 tap a number or a side note to jump between them
The opening as it read in 2005

Hanna Rovina ( 1892 - 2 February 1980 ), written also Hannah , Hana , or Chana Rovina or Robina , is recognised as the original "First Lady of Hebrew Theatre".1 Born in Russia , she originally trained as a kindergarten teacher, at a course for Hebrew -speaking kindergarten teachers in Poland . She began her career on stage at the "Hebrew Stage Theater" of Nahum Tzemach . She joined the Habima theater in 1917 just as it was being launched, and participated in its first production, a play by Yevgeny Vakhtangov . She became famous for her role as Leah'le, the young bride who is possessed by a demon in The Dybbuk by S. Rovina and the other actors of HaBima immigrated to Israel in 1928 . She quickly became a symbol of the emergent Hebrew theater, and especially of HaBima, which became the flagship of the new national theater movement. She filled every role she played with dramatic expression, taking every part very seriously and trying to live the life of the character, as prescribed by the Stanislavski School of acting . Outside the theater, she was a non-conformist, even having a child out of wedlock with the Hebrew poet Alexander Penn , though this was very unusual for that time. Her lifestyle won her many admirers, even among people that did not frequent the theater. Her admirers within the theater included writer Nissim Aloni , who wrote a play, Aunt Liza , especially for her. Of course, Rovina played the lead. Rovina had a very stern attitude regarding the theater, and made high demands of her audience. She frequently stopped a play in the middle when she felt that the audience wasn't behaving appropriately. In one famous instance, she stopped the play Hannah Senesh right in the middle of a moving scene, when she was visiting her daughter in prison before her execution. Turning to a group of school children in the audience, she shouted at them to stop munching sunflower seeds. Rovina was awarded the prestigious Israel Prize for theater in 1956 . She remained active on stage until her death, in 1980.2

This is Wikipedia's own text, saved in our repository. Their copy of it is revision 16981127.
Today
In 2005 Wikipedia's first sentence called it “recognised as the original "first lady of hebrew theatre"”. Today it says “israeli actress”. Read the current article and compare.
2005201020152020Oct '232025
Counts in the opening at each snapshot. Green: the word gained ground. Red: it was cut. Grey: no change.

What Wikipedia says this is

Every article opens by defining its subject. This one was redefined between 2005 and 2025.

Then

recognised as the original "first lady of hebrew theatre"

Now

israeli actress

Struck red text is no longer in the article; dotted amber text was rewritten. Every revision id links to Wikipedia's copy; the text shown is our own saved copy. Data: /data. Wikipedia text is CC BY-SA; quoted for the record; not affiliated with Wikipedia.

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