Arthur Szyk

His illustrations took the form of medieval miniaturists and illuminated manuscripts , which gave them a very distinctive style. Szyk dedicated his work to democracy and freedom, and end to political injustice and human suffering, saying of his work, "Art is not my aim, it is my means", and "I am but a Jew praying in art." Szyk was born in Łódź , Poland, to Jewish parents. At one time, he was expelled from school for his anti-Czarist, pro-Zionist, and pro-Polish sketches. Considered a child prodigy , he studied art in the Academie Julian in Paris, France in 1909, in Kraków in 1913, then in Palestine in 1914. During World War I he served in the front lines of the Russian Army for six months in 1914, then in 1919-20 during the Polish-Soviet war , he served as artistic director of the Department of Propaganda for the Polish army in Łódź. He fought as a guerilla during the Polish-Bolshevik War in 1921 under the name "Lieutenant Alex Szinkarenko", to save Jews from attack. In 1919, Szyk's illustrated Rewolucja w Niemczech (Revolution in Germany) was published, a satire of post-World War I Germany. In 1921, he moved to Paris , where he illustrated such books as Le Livre D'Esther (The Book of Esther ), La Tentation de Saint Antoine (The Temptation of St. Anthony ), Le Juif Qui Rit (The Jew who Laughs), and Le Puits de Jacob (The Well of Jacob ), and exhibited in the Galeries A. Decour as well as three other one-man exhibitions. In 1924 he was commissioned to go to Morocco for seven weeks to do a portrait of the Pasha of Marrakesh ; from 1926 to 1927 illustrated a 45 page copy of the thirteenth century " Bill of Rights " for Polish Jews, the Statute of Kalisz , which was published in 1932; and in 1931 he was commissioned by the League of Nations to illustrate the League of Nations Covenant, which went unfinished but was exhibited in Geneva . He was awarded a Gold Cross of Merit by the Polish government for his exhibitions at the Musee Galleria in Paris, and the Musee d'Art et d'Histoire in Geneva. In 1931, Szyk began a series of 38 watercolor miniatures on George Washington and the American Revolution , entitled Washington and his Times ; these were purchased by Polish President Ignacy Mościcki and presented to US President Franklin D. Roosevelt , and remain in the FDR Library . In 1934, Szyk visited the United States to receive the George Washington Bicentennial Medal from the US Congress, exhibiting Washington and his Times at the Library of Congress , then returned to Poland to continue work on his Hagaddah, begun in the 1930s and completed in 1936. Because his illustrations were clear and unfavorable references to the Nazis, however, publishers in Poland and Czechoslovakia rejected it for fear of antagonizing Germany. In 1937, Szyk moved to London , where Beaconsfield Press agreed to publish his Haggaddah, on the condition that overt and direct references to the Nazis be removed. However, once Germany and Britain were at war, Szyk's history of opposition to the Nazis in his art became an asset; the Haggadah was dedicated to King George VI , who was given the first copy, and Szyk was sent to the United States by Britain and Poland to help publicize the anti-Nazi cause. In December, 1940 he settled in New York City and began publicly advocating US involvement in defeating the Nazis . Rubáiyát of Omar Khayyám Szyk was inspired by Roosevelt's 1941 " Four Freedoms " State of the Union speech to illustrate the Four Freedoms, preceding Norman Rockwell 's Four Freedoms by two years; these were used as poster stamps during the war, and later illustrated a Four Freedoms Award which was presented to Harry Truman , George Marshall , and Herbert H. His work was very popular in the United States, appearing in magazines and newspapers, books, posters and advertising in addition to galleries and museums. In 1941 he published The New Order , one of the first books of antiNazi caricatures in America, and staged an exhibit on behalf of the British-American Ambulance Corps . He became the editorial cartoonist for the New York Post , contributed to Time , Esquire , and Collier's , produced advertisements for Coca Cola and US Steel , and exhibited in the galleries of M. Knodler & Co. , Andre Seligmann, Inc. , Messrs. Wildenstein & Co. , the Philadelphia Art Alliance , the Brooklyn Museum , the Palace of the Legion of Honor in San Francisco , and the White House in the 1940s. His diverse subjects included coffee , steel , airlines , the United Nations , the American Cancer Society , the United States Declaration of Independence , Thomas Jefferson , and Simon Bolivar . He closely followed the reports of atrocities and massacres by the Nazis, and in his work kept up the pressure on the Allied powers to intervene. Eleanor Roosevelt said of him, "This is a personal war of Szyk against Hitler, and I do not think that Mr. Szyk will lose this war!" He joined the antiNazi Bergson Group , where he became "our one man art department", according to Ben Hecht . According to Lodz Ghetto Book 5, in December 1942, Szyk's mother Eugenia Szyk (and possibly her Polish-Christian companion) was taken from the Lodz Ghetto in Poland. Arthur Szyk thought she went to the Maidanek concentration camp and died in 1943, but his mother was actually murdered at the Chelmno concentration camp in 1942. After the war, Szyk continued to advocate the Zionist cause, and in 1948 he illustrated the Declaration of the Establishment of the State of Israel ; meanwhile, his work included illustrations for Andersen's Fairy Tales , Pathways Through the Bible , and The Ten Commandments , along with commissions for the Limited Editions Club . He was commissioned by Canadian entrepreneur and stamp connoisseur, Kasimir Bileski to illustrate the United Nations Series ; in 1946 he published Ink & Blood . On July 4, 1950, Szyk's illustrated Declaration of Independence was publicly dedicated in New Canaan. Szyk married Julia Liekerman in 1916, and had a son, George[s], in 1917, and a daughter, Alexandra, in 1922. On May 22, 1948, Szyk became a US citizen. In 1949, despite his demonstrated admiration of and loyalty to American ideals, Szyk was named by the House Un-American Activities Committee as a member of several "subversive" organizations. In September 1951, he died of heart failure . He was eulogized by Rabbi Ben Zion Bokser , who said: "Arthur Szyk was a great artist. Endowed by God with a rare sensitivity to beauty and with a rare skill in giving it graphic representation, he used his talents to create a series of works of splendor and magnificence that will live forever in the history of art. But Arthur Szyk was more than a great artist. He was a great man, a champion of justice, a fearless warrior in the cause of every humanitarian endeavor. His art was his tool and he used it brilliantly. It was in his hands a weapon of struggle with which he fought for the causes close to his heart"; and by Judge Simon H. Rifkind, who said: "The Arthur Szyk whom the world knows, the Arthur Szyk of the wondrous color, and of the beautiful design, that Arthur Szyk whom the world mourns today—he is indeed not dead at all. How can he be when the Arthur Szyk who is known to mankind lives and is immortal and will remain immortal as long as the love of truth and beauty prevails among mankind?" His work continues to be exhibited and published today. A One-Man Army: The Art of Arthur Szyk" at the Holocaust Museum Houston (October 20, 2008 - February 8, 2009); "The Art and Politics of Arthur Szyk" at the United States Holocaust Memorial Museum in Washington, D.C. The Art of Arthur Szyk" at the Spertus Museum in Chicago (August 16, 1998 - February 28, 1999). "Justice Illuminated: The Art of Arthur Szyk" is also a traveling exhibition of The Arthur Szyk Society . Recent major publications about the art of Arthur Szyk include: a new edition of The Szyk Haggadah and its Companion Volume Freedom Illuminated: Understanding The Szyk Haggadah ; and Justice Illuminated: The Art of Arthur Szyk , produced in conjunction with the 1998-99 Spertus Museum exhibition.¹